credit
is given to the skill and technique of karl freund for his work
with fritz lang/carl theodor dreyer - as well as with murnau in
the last laugh in germany and his work in the u.s. for
universal studios - freund's expressionistic use of camera angles,
light and shadow are insurpassed
i tried
to capture a mood similar to that of the opening sequence in the
robert siodmak film night in the city
- a man enters a dark alley